Wednesday, August 8, 2018

Nigeria LGBT community excited as Charly Boy declares support.


Nigeria LGBT community excited as Charly Boy declares support. There has been excitement among the Lesbian, Gay, Bisexual and Transgender (LGBT) community in Nigeria following the declaration by popular singer and social activist, Charles Oputa popularly known as Charly Boy, to fight for the rights of people involved in same-sex relationships. The development came recently following his daughter’s coming out of the closet to declare her sexual orientation. Dewy Oputa, the United States based daughter of Charly Boy recently came out as a Lesbian and also showed off her lesbian partner. Charly Boy stated his support in a social media post in which he says he has in time past fought for Okada riders, Musicians and many others and that now is the time for him to fight for the LGBT community in Nigeria. In an Instagram post, Charly Boy wrote, “All that I have done for over 50yrs of my life is to root for the underdogs. I turned my back on my gold-plated pedigree and wondered into the unknown. I discovered that victory is a million times sweeter as an underdog. Oh!!!!! Yes,” he said. He continued, “My life has been one big fight, against bad habits, poverty, hopelessness and principalities. But I never backed down. I battled for the rights of the Okada’s to make a living. I battled for the rights, respect and the big money for the Nigerian Musician, spent weeks in the police cell, as a PMAN President. Today, thank God they have a better life. Now I am the President of Frustrated Nigerians. “I am battling with my comrades to stop the senseless killings of Nigerians. The oppression of innocent Nigerians and the weaponization of hunger. Many battles too many to mention. I have been beaten black and blue by the military, police, security agents, been teargased, shot at, stoned and most time misunderstood even by the people I fight for. No big deal because I never back down. Now I reactivate my fight in defence of the LGBT community. You know something? Openness may not completely disarm prejudice but is a good place to start. I am hoping that my support will be a show of strength to the Nigerian LGBT community. ” Nigeria has a law against same sex relationship which stipulates penalties of up to 14 years in prison and bans gay marriages which it describes as amorous relationships as well as categorizing it as illegal any membership of gay rights groups or any kind of support that will promote LGBT activities in the country forcing so many gay people who have been living in underground existence to either leave the country or remain in the closet. Many members of the Nigeria LGBT community welcomed the development saying the entrance of the famed activist will help the process of acceptance for the sexual orientations of people. Osemwengie Pedro, a Nigerian gay, who had to leave the country after the Nigeria government passed a law outlawing same sex relationships in 2014 said that Charly Boy should be commended for coming out to stand for the gay community who face persecution, imprisonment and death in the country. “I ran away from my country because of my orientation I'm one of the numerous person persecuted for being gay and being gay was never my making I was born and this is who am,” the 34 year old Edo State indigene said. He urged other activist to emulate Charly Boy and fight for the rights of people who are looked at indifferently due to their sexual orientation. Another Nigeria gay man, Tochukwu Iroekwe, described the decision made by Charly boy to be one step in the long race to achieving a Nigeria free of persecution of people of different sexual orientation. Speaking from Germany, Iroekwe said “Nigerians need to understand that focusing on people with a different sexual orientation with a mind-set to kill them isn’t the best approach. They should try and advocate for them and understand that this is how we are,” he said. He recalled how he escaped death by the whiskers in Kano State where he was almost killed through a mob action when he was discovered with his partner. “It was like a movie, I was with my friend when they barged in and started beating us with all manner of weapons. I had to run for my life when I saw that the people were ready to kill us. I later heard my partner, Chidiebere Kenechukwu lost his life. I had to hide and when the Sharia police started looking for me, my brother helped me with securing a visa to flee from the country,” he said, “I am happy Charly Boy had decided to stand up for us.” Kingsley Odumene, a gay activist said due to what he described as the harsh legislatures against same-sex relationships in Nigeria, he had to flee for his life and as well as discontinue his education due to the stigmatization he was getting from both his family and society. “I left Nigeria due to my homosexual tendencies, which, as is well known, cannot be publicly manifested in Nigeria,” he said as he urged more activists to emulate Charly Boy and stand up for the LGBT community. “I don’t know how the sexual orientation of people should be a big issue on a country where corruption, crime, kidnapping and terrorism are high. They government should pay more attention to issues that matter and not who people choose to love,” said the 31-year old Odumene who is a native of Isselu Uku in Delta State as he called on the federal government to revisit and reverse their policy on Lesbians, Gay, Bisexual and Transgender (LGBT) people in the country.

Wednesday, April 5, 2017

Medical Consultants, senior doctors cry out over decay in UBTH equipment…..give CMD 21 day Ultimatum to repair X-Ray, Ultra Sound Machines, pay salaries or face full blown strike.

This may not be the best of times for patients at the University of Benin Teaching Hospital (UBTH) as senior doctors and consultants have joined the call for the repair in the decaying infrastructure and equipment in the hospital which is affecting the delivery of health services in the hospital.
Following the declaration of a state of emergency UBTH Edo State due to infrastructure decay and management irresponsibility, the Medical and Dental Consultants Association of Nigeria (MDCAN) UBTH Chapter have ultimatum to the Chief Medical Director of the hospital, Prof. Michael Ibadin, notifying him of an industrial action they would embark on if the hospital management does not fix the anomalies being experienced in the prestigious teaching hospital which started since the CMD took over. The association is made up consultants and senior staff members of the hospital. In a letter dated April 4, 2017 and signed by the association’s Chairman, Prof. C.A Okonkwo Secretary, Dr. S.U. Okugbo (Secretary), the consultants said that the failure of management to appropriately tackle the issue of decaying of infrastructure and equipment at the hospital, poor working environment and non-implement policies concerning the welfare of doctors as approved by the Federal Government for doctors led to an Emergency General Meeting (EMG) which held on Monday, April 3, 2017 and hence their decision to embark on an industrial strike. The consultants stated in the letter their grievances as, “poor working environment in the hospital, as evident by non-functionality of the Radiology Department (x-ray machines, ultrasound machines), non-functional Radiotherapy machine, malfunctioning air conditioners in theater, epileptic power supply especially to Pathology department.” The association also lamented that their members are, “aggrieved about the haphazard implementation of skipping for honourary consultants to the total exclusion of hospital consultants as well as the reversal in entry point of consultants from CONMESS 5, step 7 to 5 step 1.”
Okonkwo also said in the letter that members of the association are also “vexed with the persistent shortfalls in salaries of honourary consultants since July 2016 without any visible resolution in the horizon.” Some of these issues discussed during the emergency session resulted in the association resolving that management should start the “correction of all inadequacies in the provision of health services in the hospital X-ray machines and the repair of theater air conditioners as well as the provision of equipment for use in clinical and rehabilitation areas.”
The consultants also demanded for skipping for all consultants whether honourary or hospital and a return to entry point CONMESS 5 step 7 for consultants as approved by the Board of Management UBTH as well as payment for all outstanding shortfalls for honourary consultants for July, September, October, November and December 2016 and January 2017. The consultants while giving a 21 day ultimatum to management to meet all their demands or face a full blown strike reminded the CMD, Prof Ibadin, that members of MDCAN have been supportive of his administration and shown patience and understanding with respect to salaries shortfall since last year even as the hospital is regarded as the highest grossing internally generated revenue (IGR) in the whole country.
This move by the consultants is coming following an appeal to them by the members of the Association of Resident Doctors (UBTH) who called for their intervention in the face off the ARD were having with the CMD over the decay in infrastructure and payment of salaries and arrears of their members some of who were being owed 12 months salaries.

Monday, September 26, 2016

THE REAL-TIME FILM FESTIVAL DEBUTS WITH WORLD PREMIERE OF “NOLLYWOOD’S MOST CONTROVERSIAL MOVIE”- BEHIND THE WHEELS.

THE REAL-TIME FILM FESTIVAL DEBUTS WITH WORLD PREMIERE OF “NOLLYWOOD’S MOST CONTROVERSIAL MOVIE”- BEHIND THE WHEELS. Lagos, Nigeria-September 22, 2016-The REALTIME Film Festival – a Film Festival founded by and for independent filmmakers who seek to express themselves through the showcase of the mastery of their craft - announces its maiden edition taking place from the 29th of September to the 3rd of October 2016. The Festival, which is a celebration of artistic excellence will bring together cinema enthusiasts, filmmakers and artists from across the world to discover the richness of Nigerian culture & tourism and also experience an unforgettable collection of cross – cultural films. Our vision is “to build a truly International and remotely accessible Film Festival”. Our Mission is “to become the biggest and most acclaimed technology – driven, remotely accessible Festival in Africa within two years of our existence”. At the festival we will screen an array of feature films, short-films and animations representing various cultures along with a special celebration of Nigeria’s veteran filmmakers, discussion panels, awards presentation and free master classes by industry giants over a four day period. Interested participants in the masterclasses can log on to www.realtimefilmfestival.com for further details on registration and festival schedule.
In a press briefing in Lagos, Festival Artistic Director and multiple award winning filmmaker, Stanlee Ohikhuare, announced that 800 films were submitted for consideration for the festival from 60 different countries both on the Festival website and on FilmFreeway. The Festival Industry Head and exceptional film producer/director Tope Oshin says he is optimistic of our readiness to host storytellers from around the globe. As the world shrinks, and the ability of Filmmakers to connect with diverse global cultures becomes easier, we are bringing the world together through the art of film. “So far, we have over 800 Film submissions from 60 different countries out of which 55 Movies have been selected for screening over a four day period. We shall employ the use of current Technology to achieve the Real-Time attribute of the Festival making it possible for film makers and enthusiasts alike to participate remotely.” Also, the Festival will feature the world premiere of the movie tagged “Nollywwod’s most controversial movie” -Behind The Wheels directed by Stanlee Ohikhuare at the New African Shrine making history as the first feature film to be screened at the esteemed African cultural centre. Heading the jury panel of this year’s festival is BAYO AWALA who will be bringing years of experience as into the Festival's scrutiny of diverse film expressions in ensuring credibility of the eventual outcome based on recommendations by the International Judges from the USA , Nigeria and Australia.
On the panel are - Animator, Michael Loeck (USA); Lighting Designer and Director of photography, CHRISTIAN EPPS (USA); Filmmaker and Festival organizer, JEF GRAY (USA); Documentary filmmaker, FEMI ODUGBEMI (NIGERIA); Music composer AARON LATINA (USA); Filmmaker JANELLE MEAGER (AUSTRALIA) and ace photographer,PHILLIP TRIMNELL(NIGERIA). The schedule of activities for the this year’s festival is as follows: Thursday, September 29, 2016: VENUES: SILVERBIRD CINEMAS, IKEJA AND NERDC CONFERENCE CENTRE Cocktail / Opening Ceremony- Silverbirad Cinemas at Ikeja Mall. The opening film will be screening between 9.00am and 12.00 noon after which more films will be shown at the NERDC Conference Centre, Agindingbi, Ikeja (opposite the African Shrine) The Masterclasses will also commence on that day. Friday, September 30, 2016: VENUES: NERDC CONFERENCE CENTRE & AFRICAN SHRINE More film screenings and continuation of the Masterclasses at the NERDC Conference Centre. In the evening, between 4.30pm and 7.00pm there will be a WORLD PREMIERE of the controversial movie “BEHIND THE WHEELS” at the AFRICAN SHRINE leading to the Festival party at the same venue. Saturday, October 1, 2016 VENUES: NERDC CONFERENCE CENTRE & AFRICAN SHRINE Movie Screenings will continue at the NERDC Conference Centre, Agidingbi (near the African Shrine) and there will be an after party at the Shrine afterwards. Sunday, October 2, 2016 VENUES: NERDC CONFERENCE CENTRE & THE SUMMIT EVENT CENTRE Festival Awards Night and showcase of the festival closing feature Film at the SUMMIT Event Centre (beside African Shrine). (Red Carpet and cocktail will hold from 5.00pm – 6.00pm) (Screening of the closing film will hold between 6.20pm and 8.05pm) (Awards Presentation will take place between 8.10pm and 9.00pm) As this year’s Festival is scheduled to coincide with Nigeria’s 56th Independence Day Celebration, students, aspiring filmmakers, enthusiasts and actors will be presented with the opportunity to acquire skills in Directing, Cinematography, Lighting Design and Acting with renowned industry professionals in master classes training that will be organized free of charge. Among the facilitators of the Two day Free Masterclasses are TECO BENSON, YINKA EDWARD, UZO OKPECHI AND IRETIOLA DOYLE. Prospective students for the Masterclasses are expected to register for the training through the festival website.
Real-Time Film Festival will give attendees a chance to interact with directors and producers of films that will screened in a Question and Answer session after each film is screened. This accords people attending the Festival the opportunity to interact directly with the FILM MAKERS whether they are participating remotely or attending in person. This feature (use of technology for remote access)is a ground breaking approach in global film festival history. The Festival will close with a Festival Awards Night where veteran Nigeria filmmakers, who have not been accorded their due tributes will be celebrated and honoured. MEET THE 2016 REAL-TIME FILM FESTIVAL JURY. BayoAwala will be the head of Jury at this year's Festival. He is bringing years of experience as well as current expertise into the Festival's scrutiny of diverse film expressions as well as credibility in the eventual outcome of decisions. Michael Loeck is an amazing animator - simply put. He has worked on several animated movies we all love but more importantly, this American 3D Animator was a huge inspiration to the early Nigerian Animators who emerged between 1998 and 2004 including the likes of Dimeji Ajibola, Femi Omoluabi, TeddOke and Stanlee Ohikhuare to mention but a few. CHRISTIAN EPPS - Lighting Designer, Director Of Photography Christian has lent his talents to film, television, corporate events, festivals, and commercials, theatre and dance and has been working in Nigeria for 10 years. Credits include; AMVCAs 2016, Nigerian Breweries, THISDAY!,Headies Awards, and Emem Isong's Royal Arts Academy. Other credits include; Selma (Oscar nominated), President Bill Clinton - Live from the White House, HBO, The Olympics, BET, ABC, ESPN, Spike Lee, Nick Cannon, Jamie Fox, Nike, McDonalds, Sprite, Oprah, Ava DuVernay, Disney Imagineering. Christian founded www.lightscameradiaspora.org, which does training in technical areas by sharing skills between the US and Africa - Nigeria, South Africa, Zimbabwe, Senegal, and Rwanda and expanding. JEF GRAY - Film maker and Festival Organizer JefGray is the founder of the International Peace and Film Festival in Orlando - Florida. His love for, and knowledge of Film made him an instant choice for the Real-Time Film Festival. He will specifically decide on the Nigerian / African entries for this year's festival alongside other panelists. FEMI ODUGBEMI - documentary filmmaker. Femi Odugbemi is an icon in the Nigerian Film spheres. He is a respected documentary film maker and founder of the I-REP International Film Festival which holds annually in Lagos - Nigeria. Femi has served as Head Judge for several Awards, including Africa's biggest and most prestigious Award - the AMVCA (Africa Magic Viewers' Choice Awards). He will be deciding on the International entries (Outside Africa) alongside other panelists. AARON LATINA - music composer Aaron is a Freelance Music Composer who Studied Music Composition at Toccoa Falls College. He Lives in O'Fallon, Missouri. Aaron will be deciding on the entries for Sound Design and Music Score for the Festival Submissions alongside other panelists. PHILLIP TRIMNELL - Ace Photographer Phillip Trimnell is the Founder/owner of TPT - Phillip Trimnell Productions and has so many years in Advertising, Photography and production in General. Phillip Trimnell will be deciding on the entries for Lighting Design for the Festival Submissions alongside other panelists. MEET OUR MASTERCLASS FACILITATORS YINKA EDWARD: LIGHTING DESIGN Yinka Edward’s love for the camera dates back to over 15 years ago when he held his first digital camera and was told to go outside to film his environment. Since then his passion for cinematography and storytelling has grown in leaps. He has built an impressive portfolio of work as a cinematographer and his work has screened around the world and garnered various awards and nominations. For his work on the Figurine, Yinka won the 2010 AMAA (African Movie Academy Award) for cinematography. He was nominated for best cinematography at the Africa Magic Viewers Choice Award (AMVCA), 2015 for his work on October 1 and the movie went on to win best movie at the AMVCA 2015. It also picked up the Festival Programmers’ Award for Narrative Feature at the 2015 Pan African Film Festival (PAFF), Los Angeles. The Tom Tykwer produced Kenyan/German feature movie,Something Necessary, which Yinka shot in Kenya, screened at the Toronto International Film Festival in 2013 and was nominated for the Audience Choice Award at the Chicago International Film Festival 2013. Yinka shot Cinema kpatakpata’s debut feature Confusion Na Wa, which was the festival opening night presentation at the 21st New York African Film Festival (NYAFF), 2014. Confusion Na Wa, took the award for best Nigerian movie and best movie overall at the 2013 AMAA awards. Yinka was featured in the books The Nigerian Filmmaker’s Guide to Success: Beyond Nollywood, written by Nadia Denton and Auteuring Nollywood: Critical Perspectives on The Figurine, edited by Adeshina Afolayan . Yinka recently completed a Master of Arts degree in Film and Television Production with a concentration in Cinematography at the National Film and Television School (NFTS) Beaconsfield, England. BARRETT AKPOKABAYEN: ART PHOTOGRAPHY Barrett Akpokabayen is an award-winning photographer (photographer of the year 2010 Mode Men Magazine), who has been training students in photography for almost 2 decades. He himself a graduate of Obafemi Awolowo university Ile Ife where he got a degree in Fine Art with his major in Graphic Design. By 2003 he trained with the legendary Don Barber who help expand his knowledge of photography. He is also an alumnus of the Bruce Onobrakpeya Foundation where he also became a facilitator for photography in the Harmattan workshop series. By 2008 he left lecturing full time from the Yaba college of Technology, where he had trained students in graphics, illustration and photography. To work full time as a professional photographer where he has risen to the top of the industry.Doing photo-shoots with big brands like Globacom, Cadbury, Etisalat, DSTV, Access Bank and Mobil just to mention a few. He’s travelled around the country doing commercials and cover photo shoots for magazines like Mode Men, Aviators and Motivation magazine just to mention a few. He is the official photographer for acclaimed movie 93 Days. He is an examiner for waec helping develop the syllabus for the photographer for schools in west Africa. TECO BENSON, MFR: DIRECTING With 20 years of active filmmaking in Nigeria with history of consistency, quality and attention to details, Teco Benson is among the most prolific filmmakers in Nigeria. Having started his career in the beginning era of Nollywood and being able to evolve, making great impact in the process and building a brand, Teco Benson has become a household name not just in Nigeria but world over. Pioneered Action filmmaking in Nigeria with movies that helped in shaping public opinions and fore warned Nigeria of what is happening today and how to handle them, e.g. State of Emergency, Executive Crime, Terror, War Front etc. Produced and directed several big budget production and has been able to manage and coordinate lots of human and material resources even under extreme pressure. Established budgets/Schedules and monitored their progress and expenditure. Trained and mentored several young film practitioners that are actively involved today in the film production process earning a descent living. Directed Heir apparent, a TV reality show that aired on NTA Network in the last quarter of 2010. Heir apparent brand is a federal government project sponsored by National Orientation Agency, NOA. IRETI DOYLE:ACTING Iretiola Doyle will be handling the Master Clas in Acting. She was born in Ondo State but spent her early years with her family in Boston, United States. After returning to Nigeria, she attended Christ's School Ado Ekiti and graduated from the University of Jos with a degree in Theatre Arts. She has featured in several Nollywood films. She was nominated for Best Actress in a leading role at the 2013 Best of Nollywood Awards. Films: Across the Niger; Sitanda; Torn;The Therapist (2015);Fifty (2015) Television: Tinsel; For Coloured Girls (2011);Gidi Up (2014 - present) UZODINMA OKPECHI:CINEMATOGRAPHY Uzodinma’s foray into directing started with Music videos in 2002. His style and direction turned around completely Nigerian Music videos in terms of technical quality and content, paving way for the new generation Music video directors and grabbing a handful of awards in the process. Bohemian in nature, he ventured into Television productions riding on the success of his Music videos. He has shot over a dozen TV Ads, Documentaries, and for 30 months produced and directed a TV Show for Nigeria’s telecommunications giant Globacom. Between 2014 and 2016, Uzodinma has directed 17 TV Movies for African Magic Original Films, a feature indie film, 15 episodes of ‘Nduka’ a TV drama series and two TV Ads. He is the CEO of Primary TV & Film Productions an Audiovisual production and Post-production outfit in Lagos – Nigeria, happily married and very passionate about filmmaking. After intensive training from Klink Audiovisual Studios (1994 – 1997), he pursued a career in film production. In 1998, he produced his first feature film ‘Above death’. He went on to produce the critically acclaimed multiple award winning and high sales grossing movies ‘The Battle of Love’ and ‘The Prostitute’. He got some more training in Film methodology and techniques at the Colorado Film School, Aurora USA in March, 2014.

Sunday, August 23, 2015

Stardom Calls as SOO Live The Dream™ Talent Hunt Debuts


For many talented young Nigerians who have dreamt of becoming superstars and aspire to fame and fortune, a new music talent hunt project has been born. The new project, SOO Live The Dream™ Talent Hunt, is poised to offer Nigerian youngsters within local communities a platform to bring their musical talents to the spotlight, with this first edition targeted at giving life to the aspirations of music-oriented youths from Esan North-East/South-East Federal Constituency of Edo State, Nigeria. SOO Live The Dream™ Talent Hunt, scheduled to hold from 17th to 20th September, 2015 is the first of its kind in Nigeria, introducing an array of innovations in talent hunt that will give the participants a chance of a lifetime to kick-start their careers. Powered by Hon. Barr. Sergius Oseasochie Ogun (SOO), the Honourable Member representing Esan North-East/South-East Federal Constituency, and organized by Dihoo Records Ltd, the project aims at identifying budding talents in singing and music production. Speaking to journalists during a pre-event media parley, Oseasochie said that the objective of the first edition of the SOO Live The Dream™ is to promote gainful and socially accepted enterprise among the youth population of Esan North-East/South-East Federal Constituency, as well as to jumpstart the careers of music-oriented members within the target population. “One of the sectors that have really shown some inspiring growth in Nigeria is the entertainment industry, and the youths are the energy behind this sector that not only brings recognition and honour to the country but also adds a lot of value to the economy,” he said. Speaking further, he noted that one of the promises he made to his constituency is to empower the youths and SOO Live The Dream™ is one of the platforms that will be used to launch the careers of the next super stars in Nigeria and Africa. The Judges With thousands expected to take part in the competition, singing their hearts out to prove their mettle in different genres of music, a super select Panel of Judges, comprising Muyiwa Asenuga a.k.a Nomoreloss, Sydney Shocker, Monique D Vibes and Elcee McEdwards would be saddled with the difficult task of complimenting and criticizing the contestants in their search for true talent. It is expected, of course, that they would find some surprises along the way. With a unique strong compelling voice and her over seven years’ experience as an OAP, Monique D Vibes will be looking for that artiste that will rock her mind and make her give a nod to their ambition of joining the stage with Tuface, Davido and P-Square. “The task will be enormous; finding that super star will involve looking at every detail, their voice, performance, energy and charisma,” she said. It sure would not be a problem for the presenter who also has a single to her credit as she will draw from her experience as a judge in several reality shows including MTN Project Fame. Multi-faceted and multi-talented artiste and media specialist, Elcee McEdwards, whose creative dexterity has seen him penning down and composing over 70 songs in a musical career spanning over 20 years, will be on the lookout for uncommon balance and excellence in delivery and mastery of notes. “I will be looking for that person that will give me a combination of styles; that is confident and knows it; that will believe in his or herself and sing a song that will make sense. I want that singer that would move from the SOO Live The Dream™ stage to join the A-List artists in Nigeria. That’s who I will watch for,” he enthused. With a strong passion for music, two music albums and many recorded studio songs, Elcee will definitely be a tough bridge the contestants will have to cross to get to stardom. How to Enter: To participate in SOO Live The Dream™, eligible participants are to pick up free entry forms from any of the designated Form Collection Centers or visit the SOO Live The Dream website at http://soolivethedream.com/ to download the entry form online. Completed entry forms are to be submitted at the Form Collection and Submission Point nearest to the intending contestant. The Form Collection Points are: Ubiaja Post office, Edo State. Hon. Barr. Sergius Ogun secretariat, 67 Market Road, Ubiaja. Uromi Post Office, Edo state. 19, Mission Rd, Kuddy Ranky, Opp. 1KD Supermarket, Uromi. 52, Old Agbor Rd, After Iyere Plaza, Uromi, Edo State. Cooperative Fast Food Restaurant, Ambrose Ali University, Ekpoma. Auchi Poly, Esan Students Meeting Ground, Opp. Man-O- War Base.Unicafe Business Centre, Shop 1, Shopping Center Uniben Main Gate. Auditions for SOO Live The Dream™ will take place on Thursday and Friday, 17th to 18th September, by 8 am prompt. During the auditions, it will be at the discretion of the judges to choose 20 candidates who will go on to the next level of selection, called the Performance Screening. On Saturday 19th September, the Performance Screening will take place, during which 10 exceptionally talented contestants will be chosen to slug it out in the next stage known as the Grand Finale. Seven of the 10 contestants will be determined by the judges, while three would be ‘saved’ by the audience who would be guided to choose their three favorite contestants from the remaining thirteen. Unlike other talent hunt shows where the winner takes all, SOO Live The Dream™ will afford the 20 contestants an opportunity to attend a one-day seminar, where heavy industry players will coach them on the business of being a recording artiste, music promotions and legal frameworks free of charge. The Grand Finale will see the emergence of the winner of the competition and prize presentations by the initiator of the project, Hon. Sergius Oseasochie Ogun. The SOO Live The Dream™ Grand Prize winner will clinch a cash prize of N200,000 and an all-encompassing record deal with Dihoo Records, while the 1st and 2nd runner-up will get a promotional contract that would see each of them recording two singles that would be promoted locally along with cash prizes of N150,000 and N100,000 respectively. CEO of Dihoo Record, Morgan ‘Diwise’ Uwadileke, who will be present at every stage of the competition, will be looking forward to meeting the next act that will pen down the chance-of-a-lifetime record deal with his music outfit. “I am ecstatic, I am optimistic. I am waiting for the next artiste that will sign up with Dihoo, and it’s in your hands,” he told journalists during the unveiling. This edition of SOO Live The Dream™ is open to persons between the ages of 18 and 30 (as at August 15, 2015), as long as they are natives of Esan North-East/South-East Federal Constituency of Edo State, Nigeria. All prospective participants who meet this criteria and submit their application forms on time will be contacted via e-mail and text messages. Get updates on The SOO Live The Dream™ on our Facebook https://www.facebook.com/SOOLiveTheDream And follow on TWITTER @soolivethedream Judges Bio Elcee McEdwards: Elcee would best be described as a multi-faceted and multi-talented artiste and media specialist, having competences in writing, editing, public relations, magazine production and online publishing. His creative dexterity has seen him penning down and composing over seventy songs in a musical career that spans over twenty years, with several of his songs celebrated in and around Nigeria. Considering his very active involvement in media practice that cuts across print media, online media and public relations in the past thirteen years, and his evident leadership and painstaking managerial qualities, Elcee brings an uncommon balance and excellence in the myriads of projects he has been involved with. He has worked as Editor and Consultant Editor for a number of print media publications and top-flight public relations agencies, with his work as Editor getting him involved in the planning and execution of several stakeholder roundtables, conferences and seminars. Aside his involvement as a singer, song writer and music coach, Elcee has had the opportunity of participating in different management, business and media related seminars and conferences, and has served as facilitator and speaker at different productivity seminars organized by Wisdom House, Lagos. Teaching and counseling being second nature to him, Elcee has been involved with the House of Elcee (an NGO devoted to the promotion of workplace productivity, responsible sexual behavior, and family values) since his university days, organizing a number of seminars, talks and workshops that explored issues of friendship, love and productivity. Due to his strong passion for music, Elcee has recorded many studio songs and has two music albums to his credit. He boasts a thorough knowledge of the Nigerian and international music industry. Monique D Vibes Monica Aigbe (Formerly Monica Okhihie), a.k.a Monique D Vibes, is a multi-talented OAP with over 7 years in Broadcasting /Entertainment Industry. A graduate of Theatre Art from the University of Benin, Monique loves nature, reading, singing, entertaining people and playing hard. Monique started her career at an early age in her secondary school where she got involved in extracurricular activities such as acting, dancing, singing, poetry, fine art and broadcasting at ‘Infinity Radio’ owned by the school. Up on graduation, she did hosting and co-hosting of events, Red Carpets and Voice Over for Radio and Television jingles and adverts. In 2008, Monique co-hosted the popular television show in the South-South region of Nigeria known as ‘Grand Style’. Her Professional Career started with SilverBird’s Rhythm 93.7FM Benin in 2008, where she spent 4 years thrilling her listeners with inspiring yet entertaining topical issues. At Rhythm 93.7FM she hosted “Rhythm and Soul”, “Rhythm of the Night”, “Sunday at the Rhythm” before moving to Vibes 97.3FM where she currently produce and presents programs such as “Vibes Divine”, “Flight973-The Cockpit”, “Daybreak Benin- Community Square”, “Vibespiration”, “Swing Low Show”, “What’s Cooking”. She has served as a judge for the MTN Project Fame West Africa both in 2013 (Season 6) and 2014 (Season 7) Benin audition and co-hosted the South-South Music Awards (SSMA- 2013) She has a strong and compelling voice (one of her unique asset), which will sure keep you glued to her programs. She has interviewed a wide range of celebrities from the likes of Tu Face Idibia, Sound Sultan, Dammy Krane, Harrysong, Terry G,Da Prince, Faze, Praiz, Cynthia Morgan, Cyrus Da Virus, Fame, Patoranking, Splash, Waje, Oritze, BNG, Efex the Entertainer, Maleke, Oriri, Lanceslot Imasuen, Dayo of HipOnTv and have worked with Derenle Adun (Channel O), Adams (SoundCity), Joseph Benjamin (MTN Project Fame West Africa), MacEbi (Saturday Spice), Andy Bello (Lockdown Entertainment/Convener; SSMA) and many more… AWARD NOMINATIONS • Best Radio Presenter - Naija Delta Advancement Awards (Presently) • Governor Adams Oshiomole’s Youth of Excellence Awards 2014 • Nigerian Broadcasters Merit Awards 2014. She also has a single “Big Girl” released in 2013.
Monique’s Social Media platforms Website:www.moniquedvibe.com, Twitter:@moniquedvibes, Instagram- @moniquedvibes Email: moniquedvibes@gmail.com Facebook- Monique D Vibes.

Wednesday, March 18, 2015

APC, PDP Bicker Over Anti-gay Law As Italian Based Activist Urges FG To Reverse Anti-gay Law.

The issue of gay right is now a topic in Nigeria’s forth coming general elections following allegations by President Goodluck Jonathan of the Peoples Democratic Party (PDP) and his supporters against his main challenger, Gen. Muhammadu Buhari of the All Progressives Congress (APC) who he claimed assured western nations of his preparedness to support same sex marriage if he wins the elections on March 28. President Jonathan, who spoke through his campaign organization, said General Buhari made the pledge to secure the support of the western countries to win the election. Spokesperson of the President Goodluck Jonathan campaign organization, Mr. Femi Fani Kayode, said four western countries extracted a commitment from Gen. Buhari to support a legislation enabling same sex marriage. Amid the flurry of apparently election fuelled allegations, the gay support claim by the Jonathan camp seemed the most serious. Still, Fani Kayode, reputed for making unsubstantiated allegations against political opponents, refused to give the names of the four countries he was referring to. Gen. Buhari, seen by his supporters as a a no-nonsense former military leader, whose brief administration in 1980s waged campaigns against indiscipline and corruption, has not given any hint suggesting he would condone same-sex relationship already out-lawed in Nigeria. In a related development, a Nigerian born gay activist who had to leave the country following stringent anti-gay laws in Nigeria has called on the federal government to revisit and reverse their policy on Lesbians, Gay, Bisexual and Transgender (LGBT) people in the country. Emmanuel King Oduh, a 31-year old native of Isselu Uku in Delta State said due to what he described as the harsh legislatures against same-sex relationships in Nigeria, he had to flee for his life and as well as discontinue his education due to the stigmatization he was getting from both his family and society. “I left Nigeria due to my homosexual tendencies, which, as is well known, can not be publicly manifested in Nigeria,” he said. The federal government had in January 2014 signed into law a bill that criminalises same-sex relationships even against pressure from western countries. The Act stipulates penalties of up to 14 years in prison and bans gay marriages which it describes as amorous relationships as well as categorizing it as illegal any membership of gay rights groups or any kind of support that will promote LGBT activities in the country forcing so many gay people who have been living in underground existence to either leave the country or remain in the closet. Before the law was signed into law, homosexual activities or sodomy was punishable by jail term but the new law now gives a maximum sentence of 14 years, a development that faced strong criticisms from western countries as well as renowned Nigerian authors like award winning Chimamanda Adichie calling the law “un-African and goes against the values of tolerance and live and let live that are part of many African cultures.” Speaking to National Daily from Italy where he now resides, Oduh said that though he knew he was attracted to persons of same sex while he was a kid, he did not engage in any homosexaul relationship until he was admitted to study at Kaduna Polytechnic in Kaduna State where a man that helped him secure admission introduced him to active same sex relationship.
In 2005, I went to visit my brother in Kaduna from Lagos State where I grew up because I wanted to enrol into the Kaduna Polytechnic at that time. I was 21 then and my brother introduced me to his friend who promised to facilitate my enrolment. Along the line, he made advances at me and we started a sexual relationship. From then on, Evans, started introducing me to other gay individuals and at a point I slept with a high ranking lecturer in the institution who promised to make sure I secured the admission. My relationship with Evans lasted till 2006 when he left for the United States and by then, I had become familiar with so many people within the homosexual communities. When I finished my Diploma program, I returned to Lagos ,” he said. He continued: “I continued having relationships with several partners until some people in my area at Ikeja, Lagos noticed that I was always in the midst of gay individuals and informed my family. The stigmatization I got was hell and was beaten, scolded and at times beaten up by my family members. I had to get some work and remained behind the closet though I secretly met my partners,” he said. But with the new law passed in 2014, Oduh knew he needed to be careful as he was already a known homosexual in the area and with activities of a militant group, the Odua Peoples Congress (OPC), which had in the past administered jungle justice to some persons who committed crimes as minor as stealing being burnt to death, they made it clear to him that he was a target. “I decided to leave Nigeria at that point and left after my friend who I met online helped arrange papers for me to join him in Europe. I have since been advocating for gays rights in Nigeria and pleading with the Nigeria government to reverse the harsh laws on people like us. Imagine the number of Nigerians that are going into exile from their country just because of their secual preferences. Right now, I have seeking to remain in Italy and cannot come back home because of the situation. I hope that they will have a rethink and allow LGBT persons to come back home and help in the rebuilding of our country,” he said.

Monday, May 13, 2013

Strength of a Woman


The breeze was just as I always loved it and the road had improved a bit, compared to the last time I plied it. As I stole a glance at Nneka, I noticed a little sweat had formed on her forehead as she sat dosing beside me. Then, I suddenly realised how selfish I was to be enjoying the highway breeze, and depriving my children the chill of the car air conditioner. In that instance, I rolled up the windows and turned the air conditioning on. A peep at my rear mirror revealed Somtoo, Chukwuma and Ebere, my house help, ensconced in dreamland. I always wondered how children could sleep peacefully even in noisy environments. Waving that thought aside, I pushed in a Don Moen worship CD to flavour their rest and sang along... ''Heal me Oh Lord and I will be healed Save me and I will be saved....'' The song brought back memories of pain, loss and fear, though it also made me smile at how I had been healed. My thoughts were quickly interrupted by my cell phone, and I reached to adjust the phone on the car phone kit, checking the screen. The ever-smiling face of George flashed on. I would never stop being surprised and thrilled by technology. “Hello Honey,” I answered, my headset hanging on fine. ‘‘Hi Dear. Did I spoil anything?” George asked. “No.” “Where are you at the moment?” he went on. “Almost home, I'll be there in an hour or less.” “Have you gotten to the Abia Tower yet?” “No, I guess it’s still some couple of kilometres away.” “Are they sleeping?” He quipped, sounding concerned. “Sure. Why?” I asked deliberately. “I haven't heard anybody ask you who’s calling,” he replied with a burst of laughter, “and I can hear some kind of ‘jazz music’ in the background.” “They are all sleeping very peacefully,” I said again. “I'll be through by the 28th and will leave Abuja the next day. I figure I will be home by Sunday morning”, George explained. He always made a point of giving me a detailed description of his schedules. “That would be nice; the kids would love to start the New Year and new millennium with their Daddy around. You know you’ve already spoilt the Christmas,” I accused him playfully. “Honey, you were supposed to be my mouth,” he retorted, sounding hurt. “Calm down boy, I did explain. They do miss you though,” I related. “I'll make up for the Christmas,” he promised. “Better do,” I warned. “I'll call you later; I know you’re not concentrating on your driving as we’re talking. Rather, call me when you get home.” “Okay,” I replied. “My regards to my in-laws.” “Alright dear, bye,” I replied, a slight flush of pleasure forming on my cheeks. “See you. I love you,” George finished. “Love you too,” I replied, smiling. And I truly did. George is my husband, my pillar, my strength and my best friend. Nobody could equal what he is to me. Just listening to his voice is enough to make an ordinary day special. I’m always proud to have him as a husband. With thoughts of him on my mind, I stepped on the accelerator and sped to my destination. *** *** **** **** **** My arrival at the village was accomplished after an awful two hours, no thanks to the many illegal checkpoints mounted on the way by the Police. These so-called officials would stop at nothing to extort money from innocent motorists, asking questions ranging from motorists’ vehicle particulars to where they bought their wristwatches. Even having a complete set of particulars for one’s car does not guarantee that an individual will not part with some money, popularly referred to as Roja. Some of these law enforcement agents sometimes go as far as inventing imaginary car particulars just to find their ‘victim’ wanting, after which money would be demanded as penalty. I had my share of delay owing to such bottlenecks, but we finally got to the village in peace. The children were awake as we passed the Abia Tower, with the words “'WELCOME TO GOD'S OWN STATE” boldly inscribed on the monument. “Mummy, will you take us to the War Museum?” Nneka asked. At six years old, she is my youngest child and my only daughter and always anxious to squeeze out every detail of the stories her siblings told her. “I will, Darling,” I replied. “Let us go to the Ojukwu Bunker. I heard it’s more fun than the museum,” Somtoo said from the back. He is the eldest child and, at the young age of 10, he was already the almighty decision maker of the three. “No, I want to go to the museum,” Nneka cried. Tears were already welling up in her eyes as she gazed at me hopefully, knowing that I would certainly be on her side. “We went there last year! Let’s go to the Bunker.” This time it was Chukwuma, the second of the three and by far the most reasonable. “Mummy, I want the Museum. Somtoo and Chukwuma talk about it always because I’ve never been there. I want the museum.” By now she was crying and I knew it was time to help her out. “Don't cry sweetheart, I will take you to the museum. Maybe Uncle Okechukwu will take the boys to the Bunker.” That settled the matter and peace reigned again in the car, but not for long. “Yes, we will go to the Bunker, look at Ojukwu’s pictures and see his bedroom.” It was Somtoo again, trying to make the Bunker sound more appealing so Nneka could change her mind. “Daddy called today,” I announced, deliberately side tracking Somtoo's strategic plot. “When is Daddy coming to Grandma's village?” Nneka asked, now very excited. “He promised to be home on Sunday,” I replied, relieved that the topic had shifted from the museum and bunker to Daddy. “Why wouldn't Daddy be home on Christmas day, Mummy?” Chukwuma asked. A tricky question this was. If I handled it wrongly, I knew I would be facing a barrage of questions from every direction in a minute. “Daddy has a lot of work to do, so he tries as much as possible to finish all of them before he comes home,” I explained, wishing they would accept the explanation. “Christmas and Boxing days are public holidays. Daddy should not be working on public holidays,” Chukwuma said matter-of-factly. As he was the most reasonable and sensitive of the children, it was his job to let me know when I was arguing ineffectively. I knew his probing would continue if I did not give him a more solid reason for his father's absence. “Yes, you are correct my dear. But Daddy wants to finish all the work so he can have more time to stay with us next year. That is why he works on these public holidays,” I finished. “Will he take us to the park when he gets home?” It was Somtoo this time; he seemed to be thrilled with outings and events. On matters like this, he was less of a problem compared to his brother. “Yeah he will,” I replied, letting out a sigh of relief that the session on Daddy was over. “Doctor is back, Doctor is back!” someone shouted as I parked in front of the compound. The next few minutes saw people trooping in to welcome us. I felt proud to be home. They came in different ages, sex and sizes; the old, the young and the children. They all came to welcome us home. “Dokita, how you dey?” “How is our husband?” “Nwa mu, kedu ka imee?" “Look at how big Somtoo has grown to be. Doctor, what are you feeding these children?” The questions came pouring in; not that they needed answers. That was just their way of expressing happiness in welcoming one of their illustrious daughters. I tried as much as possible to greet all of them. I hugged some of the elderly women and bowed a bit to the older men as I held their hands. As the kids gathered, I instructed Ebere to share two loaves of bread among them. For them it was such a rewarding gift and they seemed very happy to receive it. Then I heard Nneka crying as one of the old women carried her up and made to kiss her. Poor girl, she was not used to the crowd and was ignorant of their affectionate gestures. Somtoo got busy, pointing out those to be given their chunk of the bread, while Ebere obeyed dutifully. Chukwuma just watched the proceedings, with his hands in his pockets; watching him, I could not just predict what he would be when he grew up. “Aunty Ngozi, welcome!” It was Oluchukwu, one of my cousins who helped my mother out in the village. “How are you Oly?” I called her by her pet name. She was about 15 and I noticed she now wore makeup. “I am fine, Aunty”, she replied. “Where is Mama?” I asked her. I knew my mother was not around the moment the first person called out my name and she did not make an appearance. She had this special way of welcoming me in style each time I came to the village; I would have had to watch her display some dance steps before hugging me. To be sincere, I missed that welcome at that particular moment. Only the two of us understood the history and significance of that welcome. “She went to the farm to harvest coco yams,” Oluchukwu said, breaking into my thoughts, “She should be on her way back by now.” I wanted to ask her why she didn’t accompany Mama to the farm but could see the answer on her face and the tight jeans she wore. Evidently, she was beginning to feel like a big Chick and big Chicks don't go to the farm. “Please come and help us take our luggage into the house,” I said to her before going inside the compound. Our compound was a big one. The main building stood at the centre and it housed everybody in my extended family. The hut was at a corner to the left. It still puzzles me why old folks still prefer such huts to the comfort of modern living houses. I had insisted on pulling it down when the construction was going on, but my mother vehemently refused. Her reason was that it was the meeting point of our ancestors. The yam barn and goat pen were at the back of the thatched hut while the rest of the land was converted to a vegetable garden, with tall palm trees adorning the background. A little to the right, not very far from the barn, situated the graves of my father, my eldest brother and my first child. I strolled casually to the backyard, which was my favourite part of the house, and felt the gentle tropical breeze caressing my face and lifting my skirt a bit. I could hear the birds singing along with the whistling of the palm trees. Carefully, I examined the tree of my dead child; there was this traditional practice in my village of planting a fruit tree with the soil dug from the grave of departed ones. I was told that it was a mark of continuous remembrance for the dead and it was believed that they protected us through the fruits of the tree. I planted a mango tree for my dead child. When I looked up at that moment, I saw three ripe mangoes up there. It was as if my folks left the fruits for me. I examined the other surrounding trees and caught a glimpse of a squirrel doing some acrobatics up a palm tree. I laughed. These animals are very sensitive, they know when there is peace and when there was war. As I stood transfixed at that sight, flood of memories played through my mind: the good old days, the ugly months of war and the hard days that followed the inglorious surrender. I muttered a Rosary. I knew my being alive was an act of grace from God and intercessions of the Blessed Mary. How can I tell the story of a young child, who saw her father die, witnessed the mob execution of her brother and sister-in-law, watched the malicious murders of hundreds of her ethnic people and was raped on end? I couldn’t imagine how I went through those experiences. So I’ve kept on dismissing those dark days of my life as nightmares. However, as much as I’ve tried to pretend, the scars still hurt and the tears still flow... It’s just that the anger is no longer there. I overcame that a long time ago. Staring at the graves brought back old memories. I could see the sunset in the evening; I could still hear the cockcrow at dawn and smell the smoke. I still remember the faces of those soldiers who defiled me, with the blue sky at the background. It was an experience I would not wish my worst enemy. I have never revealed this part of my life to anybody, not even to my husband or children. But now I know it is time I told the story of how I passed through that period of agonizing trial and came out victorious – the story of how an unfortunate refugee became an outstanding doctor. I believe my story would be a source of hope and strength to somebody, somewhere, sometime. Excerpts from the novel, A Season of the Sun by Ahaoma Kanu to be published by AuthorHouse (USA)

The breeze was just as I always loved it and the road had improved a bit, compared to the last time I plied it. As I stole a glance at Nneka, I noticed a little sweat had formed on her forehead as she sat dosing beside me. Then, I suddenly realised how selfish I was to be enjoying the highway breeze, and depriving my children the chill of the car air conditioner. In that instance, I rolled up the windows and turned the air conditioning on. A peep at my rear mirror revealed Somtoo, Chukwuma and Ebere, my house help, ensconced in dreamland. I always wondered how children could sleep peacefully even in noisy environments. Waving that thought aside, I pushed in a Don Moen worship CD to flavour their rest and sang along... ''Heal me Oh Lord and I will be healed Save me and I will be saved....'' The song brought back memories of pain, loss and fear, though it also made me smile at how I had been healed. My thoughts were quickly interrupted by my cell phone, and I reached to adjust the phone on the car phone kit, checking the screen. The ever-smiling face of George flashed on. I would never stop being surprised and thrilled by technology. “Hello Honey,” I answered, my headset hanging on fine. ‘‘Hi Dear. Did I spoil anything?” George asked. “No.” “Where are you at the moment?” he went on. “Almost home, I'll be there in an hour or less.” “Have you gotten to the Abia Tower yet?” “No, I guess it’s still some couple of kilometres away.” “Are they sleeping?” He quipped, sounding concerned. “Sure. Why?” I asked deliberately. “I haven't heard anybody ask you who’s calling,” he replied with a burst of laughter, “and I can hear some kind of ‘jazz music’ in the background.” “They are all sleeping very peacefully,” I said again. “I'll be through by the 28th and will leave Abuja the next day. I figure I will be home by Sunday morning”, George explained. He always made a point of giving me a detailed description of his schedules. “That would be nice; the kids would love to start the New Year and new millennium with their Daddy around. You know you’ve already spoilt the Christmas,” I accused him playfully. “Honey, you were supposed to be my mouth,” he retorted, sounding hurt. “Calm down boy, I did explain. They do miss you though,” I related. “I'll make up for the Christmas,” he promised. “Better do,” I warned. “I'll call you later; I know you’re not concentrating on your driving as we’re talking. Rather, call me when you get home.” “Okay,” I replied. “My regards to my in-laws.” “Alright dear, bye,” I replied, a slight flush of pleasure forming on my cheeks. “See you. I love you,” George finished. “Love you too,” I replied, smiling. And I truly did. George is my husband, my pillar, my strength and my best friend. Nobody could equal what he is to me. Just listening to his voice is enough to make an ordinary day special. I’m always proud to have him as a husband. With thoughts of him on my mind, I stepped on the accelerator and sped to my destination. *** *** **** **** **** My arrival at the village was accomplished after an awful two hours, no thanks to the many illegal checkpoints mounted on the way by the Police. These so-called officials would stop at nothing to extort money from innocent motorists, asking questions ranging from motorists’ vehicle particulars to where they bought their wristwatches. Even having a complete set of particulars for one’s car does not guarantee that an individual will not part with some money, popularly referred to as Roja. Some of these law enforcement agents sometimes go as far as inventing imaginary car particulars just to find their ‘victim’ wanting, after which money would be demanded as penalty. I had my share of delay owing to such bottlenecks, but we finally got to the village in peace. The children were awake as we passed the Abia Tower, with the words “'WELCOME TO GOD'S OWN STATE” boldly inscribed on the monument. “Mummy, will you take us to the War Museum?” Nneka asked. At six years old, she is my youngest child and my only daughter and always anxious to squeeze out every detail of the stories her siblings told her. “I will, Darling,” I replied. “Let us go to the Ojukwu Bunker. I heard it’s more fun than the museum,” Somtoo said from the back. He is the eldest child and, at the young age of 10, he was already the almighty decision maker of the three. “No, I want to go to the museum,” Nneka cried. Tears were already welling up in her eyes as she gazed at me hopefully, knowing that I would certainly be on her side. “We went there last year! Let’s go to the Bunker.” This time it was Chukwuma, the second of the three and by far the most reasonable. “Mummy, I want the Museum. Somtoo and Chukwuma talk about it always because I’ve never been there. I want the museum.” By now she was crying and I knew it was time to help her out. “Don't cry sweetheart, I will take you to the museum. Maybe Uncle Okechukwu will take the boys to the Bunker.” That settled the matter and peace reigned again in the car, but not for long. “Yes, we will go to the Bunker, look at Ojukwu’s pictures and see his bedroom.” It was Somtoo again, trying to make the Bunker sound more appealing so Nneka could change her mind. “Daddy called today,” I announced, deliberately side tracking Somtoo's strategic plot. “When is Daddy coming to Grandma's village?” Nneka asked, now very excited. “He promised to be home on Sunday,” I replied, relieved that the topic had shifted from the museum and bunker to Daddy. “Why wouldn't Daddy be home on Christmas day, Mummy?” Chukwuma asked. A tricky question this was. If I handled it wrongly, I knew I would be facing a barrage of questions from every direction in a minute. “Daddy has a lot of work to do, so he tries as much as possible to finish all of them before he comes home,” I explained, wishing they would accept the explanation. “Christmas and Boxing days are public holidays. Daddy should not be working on public holidays,” Chukwuma said matter-of-factly. As he was the most reasonable and sensitive of the children, it was his job to let me know when I was arguing ineffectively. I knew his probing would continue if I did not give him a more solid reason for his father's absence. “Yes, you are correct my dear. But Daddy wants to finish all the work so he can have more time to stay with us next year. That is why he works on these public holidays,” I finished. “Will he take us to the park when he gets home?” It was Somtoo this time; he seemed to be thrilled with outings and events. On matters like this, he was less of a problem compared to his brother. “Yeah he will,” I replied, letting out a sigh of relief that the session on Daddy was over. “Doctor is back, Doctor is back!” someone shouted as I parked in front of the compound. The next few minutes saw people trooping in to welcome us. I felt proud to be home. They came in different ages, sex and sizes; the old, the young and the children. They all came to welcome us home. “Dokita, how you dey?” “How is our husband?” “Nwa mu, kedu ka imee?" “Look at how big Somtoo has grown to be. Doctor, what are you feeding these children?” The questions came pouring in; not that they needed answers. That was just their way of expressing happiness in welcoming one of their illustrious daughters. I tried as much as possible to greet all of them. I hugged some of the elderly women and bowed a bit to the older men as I held their hands. As the kids gathered, I instructed Ebere to share two loaves of bread among them. For them it was such a rewarding gift and they seemed very happy to receive it. Then I heard Nneka crying as one of the old women carried her up and made to kiss her. Poor girl, she was not used to the crowd and was ignorant of their affectionate gestures. Somtoo got busy, pointing out those to be given their chunk of the bread, while Ebere obeyed dutifully. Chukwuma just watched the proceedings, with his hands in his pockets; watching him, I could not just predict what he would be when he grew up. “Aunty Ngozi, welcome!” It was Oluchukwu, one of my cousins who helped my mother out in the village. “How are you Oly?” I called her by her pet name. She was about 15 and I noticed she now wore makeup. “I am fine, Aunty”, she replied. “Where is Mama?” I asked her. I knew my mother was not around the moment the first person called out my name and she did not make an appearance. She had this special way of welcoming me in style each time I came to the village; I would have had to watch her display some dance steps before hugging me. To be sincere, I missed that welcome at that particular moment. Only the two of us understood the history and significance of that welcome. “She went to the farm to harvest coco yams,” Oluchukwu said, breaking into my thoughts, “She should be on her way back by now.” I wanted to ask her why she didn’t accompany Mama to the farm but could see the answer on her face and the tight jeans she wore. Evidently, she was beginning to feel like a big Chick and big Chicks don't go to the farm. “Please come and help us take our luggage into the house,” I said to her before going inside the compound. Our compound was a big one. The main building stood at the centre and it housed everybody in my extended family. The hut was at a corner to the left. It still puzzles me why old folks still prefer such huts to the comfort of modern living houses. I had insisted on pulling it down when the construction was going on, but my mother vehemently refused. Her reason was that it was the meeting point of our ancestors. The yam barn and goat pen were at the back of the thatched hut while the rest of the land was converted to a vegetable garden, with tall palm trees adorning the background. A little to the right, not very far from the barn, situated the graves of my father, my eldest brother and my first child. I strolled casually to the backyard, which was my favourite part of the house, and felt the gentle tropical breeze caressing my face and lifting my skirt a bit. I could hear the birds singing along with the whistling of the palm trees. Carefully, I examined the tree of my dead child; there was this traditional practice in my village of planting a fruit tree with the soil dug from the grave of departed ones. I was told that it was a mark of continuous remembrance for the dead and it was believed that they protected us through the fruits of the tree. I planted a mango tree for my dead child. When I looked up at that moment, I saw three ripe mangoes up there. It was as if my folks left the fruits for me. I examined the other surrounding trees and caught a glimpse of a squirrel doing some acrobatics up a palm tree. I laughed. These animals are very sensitive, they know when there is peace and when there was war. As I stood transfixed at that sight, flood of memories played through my mind: the good old days, the ugly months of war and the hard days that followed the inglorious surrender. I muttered a Rosary. I knew my being alive was an act of grace from God and intercessions of the Blessed Mary. How can I tell the story of a young child, who saw her father die, witnessed the mob execution of her brother and sister-in-law, watched the malicious murders of hundreds of her ethnic people and was raped on end? I couldn’t imagine how I went through those experiences. So I’ve kept on dismissing those dark days of my life as nightmares. However, as much as I’ve tried to pretend, the scars still hurt and the tears still flow... It’s just that the anger is no longer there. I overcame that a long time ago. Staring at the graves brought back old memories. I could see the sunset in the evening; I could still hear the cockcrow at dawn and smell the smoke. I still remember the faces of those soldiers who defiled me, with the blue sky at the background. It was an experience I would not wish my worst enemy. I have never revealed this part of my life to anybody, not even to my husband or children. But now I know it is time I told the story of how I passed through that period of agonizing trial and came out victorious – the story of how an unfortunate refugee became an outstanding doctor. I believe my story would be a source of hope and strength to somebody, somewhere, sometime.